Clusterflock: Paper is the New Internet.
Cf.: The Printed Blog, Things Our Friends Have Written on the Internet, Meet the New Schtick.
Clusterflock: Paper is the New Internet.
Cf.: The Printed Blog, Things Our Friends Have Written on the Internet, Meet the New Schtick.
Ha! Alessandra Stanley does my work for me: This was a day best captured by image, not narrative, she says.
In all this talk of narrative and database (here and here) I’m surprised I haven’t mentioned one of the most familiar kinds of databases: the photo gallery!
All the way from LIFE’s breakthrough use of rich, stand-alone photography to TIME’s avalanche of online galleries and (of course) the Big Picture, there’s a rich tradition here. And the best of ’em aren’t linear sequences that tell a story from start to finish; they’re collections of contrasting moments that, together, deliver a gestalt.
Photo galleries have been one of my favorite ways to track the entire election, and I think there’s truth to what Stanley says about today:
Anchors, compelled to say something, reached for trite metaphors and hyperbolic expressions of wonder (“Our secular version of a miracle,” according to one CNN commentator) that didn’t begin to match the reality unfolding live behind them. The best narration was wordless.
I’ll extend that critique to printed commentary, as well. The flurry of op-eds over the weekend, all packed with world-historical language trying to Put It All In Perspective, fell flat. Just give me the image.
Not even Obama’s speech — which I liked — could match the raw image of him, uh, delivering it. William Gavin, a former speechwriter for Nixon, said this over at the NYT (emphasis mine):
But the setting — the first African-American standing there in the bright winter sunshine as our new president — had an eloquence all its own. I think we will remember this occasion more for the man who gave it than for the words he said. He could have stood there for 20 minutes of silence and still communicated great things about America.
I claim the image for the Team Database. Your move, narrative.
In 2009, can a blog’s design matter? Readers of Kottke (and Fimoculous) say yes.
From Jason Kottke’s response on Fimoculous:
I’m surprised (and flattered, I guess) that people want to talk about this. With everyone using newsreaders and “customizing” their blogs with default WordPress, MT, and Tumblr templates, the days of artisan blog design would appear to have passed by, quaint and unworthy of further comment. Like Rex, I love that that’s not the case, at least in a small corner of the web.
Listen to it!
I heard King’s “I Have a Dream” on the radio this afternoon. Despite the grandeur of the visuals of the March on Washington, and the power of the text, I think that radio is the best way to experience it. I am amazed, as a writer, teacher, poet, and speaker, at the range of King’s elocutionary instrument.
He doesn’t just use every sonorous rhetorical tool in the book. He makes words rhyme which shouldn’t. He finds transitory consonants and bends them to fit his alliterative schemes. He has the most versatile spondaic foot I’ve ever heard, so much so it could pass for iambic. (Try to find a genuinely unstressed syllable — or unstressed thought — in the way King says “We Will Not Be Satisfied.”)
And he matches and varies his pitch to highlight his parallelisms of matter and mind, in his voice and in the air; a small, thickly built man, speaking from the roots of the trees, from the center of the earth, knowing that the extension of his own gravity stretches like a column from the molten core to the orbit of the moon. He is a single still point with the granted power to bend straight the crooked lines of history.
Atul Gawande, lucid and humane as ever, talks health care reform and the virtues of pragmatism in The New Yorker.
Bonus points to Gawande for employing my favorite social-scientific concept: path-dependence.
Yesterday, I did some research on a new phone I’m thinking about buying. So I googled it and went to the manufacturer’s page, read some online reviews, and compared prices and plans. But my eyes were drawn to the video hits: consumers and reviewers who could SHOW me how the phone worked, THAT the screen resolution really was pretty good, or WHY the keyboard felt too cramped.
I’m not alone — Miguel Helft at the NYT/IHT writes that YouTube is increasingly being used as a reference tool:
With inexpensive cameras flooding the market and a proliferation of Web sites hosting seemingly unlimited numbers of clips, it’s never been easier to create and upload video. You can now find an online video on virtually any topic. Web videos teach how to grout a tub, offer reviews of the latest touch-screen phones and give you a feel for walking across the Ponte Vecchio in Florence, Italy…
And now YouTube, conceived as a video hosting and sharing site, has become a bona fide search tool. Searches on it in the United States recently edged out those on Yahoo, which had long been the No. 2 search engine, behind Google. (Google, incidentally, owns YouTube.) In November, Americans conducted nearly 2.8 billion searches on YouTube, about 200 million more than on Yahoo, according to comScore.
Another good how-to genre, this time from digital to digital, are the video walkthroughs of video games. Compare those with the old text-file walkthroughs for your favorite Super Nintendo game.
Video and text searches also create (ahem) different narratives:
[YouTube’s Hunter] Walk said a good example is provided by an ad for Hillary Rodham Clinton during the Democratic presidential primaries the one in which a voice asks “Who do you want answering the phone?” at the White House at 3 a.m. during a crisis. A search for “Hillary Clinton 3 a.m.” on Google would bring up news stories about the ad and the controversy surrounding it. On YouTube, the same search brought up the original commercial, as well a response by the Barack Obama campaign, pundits’ commentaries and an assortment of spoofs, giving users a much different understanding of how the story unfolded, Walk said.
So, here are two ways I see this going.
First, we need to leverage the power of YouTube and the power of Wikipedia together by creating a YouTubeiPedia — a comprehensive video reference database on the web. Maybe it wouldn’t need to be the Wikipedia model — there might be room for a traditional content company like Microsoft or Brittanica or whomever to step in here. Or maybe there will be multiple, competing models with different strengths — frank and quirky user-created content jostling with great production values. At any rate, part of the triumph of the text-search optimized Wikipedia is that we’ve largely missed out on some of the promise of a genuine multimedia encyclopedia. But there’s clearly demand for it.
Second, we need to get on this whole visual literacy thing — especially the ability to make visual objects themselves searchable, so that videos can give bot-crawlers the same richness of information a textual entry can. Maybe some kind of video autotagging.
My last idea is a shade more utopian, but it can work! I want a “video search” that isn’t a textual search of a video database, but a VIDEO search of any kind of database. Imagine the power of being able to hold a random object in front of your webcam and being able to ask the next-gen version of Google, “what the heck is this?”
I love France, I love beauty pageants, and I love interracial families, and so it follows quite naturally that I love Chlo
I’m typing this at the airport in Denver, at an open kiosk and charging station (!) and using free, ad-supported wi-fi supplied by the airport, while waiting for my connection. I’ve got my phone plugged in, too — there’s even a USB outlet to charge iPods or digital cameras.
This, friends, is genius. This is what we should have at every airport, train station, hotel, library, or other public gathering place where people come whilst in transit. Every place where you currently see a fifteen-year-old cluster of pay phones, you’re going to see one of these.
It’ll have internet-equpped voice and video calling too. There will be a touchscreen where you can get directions around town or order food. (Probably not at the library.)
What else will we find in the media carrels of the future?
Not to jinx anything, but I’m giving a job talk on Monday.
Please, please, please, let my plane get out of Philadelphia tomorrow. (They’re predicting snow.)
I’m just gonna throw this one out there and let it simmer a bit over the weekend: What if narrative thinking is on its way out?
Here’s a starting point: Google is the anti-narrative king of the web.
Classic Yahoo! was narrative; it was all paths and branches and journeys. Google was, and is, a story that happens all at once. Faced with the search box, you have the entire web in a sort of quantum superposition; anything could happen. Then you search and, wham, one thing really does. But you don’t really know how, or why.
In general, we’re finding that the way people use the web is less narrative and more random than we ever expected. It’s probabilistic. The table of contents — the navigation bar — gets smaller. The search box gets bigger.
On the web, we don’t understand, consider, and act; we stumble.
Think next of WIRED’s “the end of theory” and of Wolfram’s a new kind of science. Both propose a new, more probabilistic way of doing science — and yes, I know, both are almost entirely rejected by mainstream science at this point. But even so, they give our assumptions a healthy twist. What if you could arrive at useful conclusions without knowing how you got there? Doesn’t this actually happen a lot already?
Think, finally, of news. Think of the kind of story we’re confronted with these days: 9/11, Enron, Iraq, the money meltdown, Mumbai. Sure, you can build a really revelatory narrative around something like 9/11; you can almost make it seem inevitable in retrospect. You can tell a story about a giant pool of money.
But how closely do those narratives map to reality? Sometimes I think events today more closely resemble a giant wall of sticky notes. Draw lines, make clusters, add more facts as you find them; do your best to hold it all in your head. But it doesn’t all add up. There are contradictions. But hey, that’s the world — and maybe we need better tools to understand it that way.
We argue: Stories are those tools. It’s stories that allows us to understand these things at all: “Once upon a time, this happened, then that happened.” Our brains are wired for narrative.
But I don’t buy it. Our brains are constantly changing, and I think the internet is a bellwether: We are not using the web in a narrative way. We’re using it in some weird, new way that we don’t have good words for yet. It’s all juxtaposition and feeds and filters, searching and stumbling and sharing. And importantly, it’s starting to make sense. It’s not gut-churning chaos out here, unmoored from the safe haven of story. It’s actually getting kinda comfortable.
So does that new way of thinking start to infect everything else? It’s not just a superficial perspective, but almost a new operating system entirely; I think it’s going to go really deep.
How do things change? The internet’s leading the way. New media follows close behind — video games, new forms of music, movies, theater. What about journalism? Science? Medicine? Law? Relationships?
I’m pretty obsessed with this idea lately, so expect to hear more about it. I’m curious to know what it cross-connects to in your brain; not like, “please comment directly on the thesis of this post” (though I am sure there are some sharp debunkings waiting for me), but rather, what does this make you think about? What’s related?
P.S. It was this old essay by Chris Crawford that got me going, but the more I read it, the less it makes sense to me, so I decided to mostly skip. Credit where it’s due, though. Found it via 2mm.