The murmur of the snarkmatrix…

Jennifer § Two songs from The Muppet Movie / 2021-02-12 15:53:34
A few notes on daily blogging § Stock and flow / 2017-11-20 19:52:47
El Stock y Flujo de nuestro negocio. – redmasiva § Stock and flow / 2017-03-27 17:35:13
Meet the Attendees – edcampoc § The generative web event / 2017-02-27 10:18:17
Does Your Digital Business Support a Lifestyle You Love? § Stock and flow / 2017-02-09 18:15:22
Daniel § Stock and flow / 2017-02-06 23:47:51
Kanye West, media cyborg – MacDara Conroy § Kanye West, media cyborg / 2017-01-18 10:53:08
Inventing a game – MacDara Conroy § Inventing a game / 2017-01-18 10:52:33
Losing my religion | Mathew Lowry § Stock and flow / 2016-07-11 08:26:59
Facebook is wrong, text is deathless – Sitegreek !nfotech § Towards A Theory of Secondary Literacy / 2016-06-20 16:42:52
Snarkmarket commenter-in-chief since 2003, editor since 2008. Technology journalist and media theorist; reporter, writer, and recovering academic. Born in Detroit, living in Brooklyn, Tim loves hip-hop and poetry, and books have been and remain his drug of choice. Everything changes; don't be afraid. Follow him at

Liberal Arts And Added Value
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Here’s something for Dan: the European College of Liberal Arts in Berlin is offering a new four-year degree in Value Studies:

This is the first degree programme to be structured around the concept of value. In current academia, the fundamental types of value, and the questions and concerns which attend them, are separated out into several departments. Too often, the result is that the most important questions we expect academia to address are lost in the pursuit of specialized training. ECLA, in contrast, is a college without departments, where the different norms, claims and ideals we live by, and the different forms of theoretical work they inspire, are brought together in a single programme of study. Throughout the four years, students work with academics from different backgrounds on moral, political, epistemic, religious, and aesthetic questions, with the understanding that such questions are naturally and deeply connected. The programme is designed for students who want to combine their pursuit of special interests with a demanding studium generale and serious reflection on the meaning of education.

There are three area components to the value studies major — Art and Aesthetics, Ethics and Political Theory, Literature and Rhetoric — and each student picks TWO of these as concentrations.

The faculty — who all seem to be quite young — is packed to the gills with Committee on Social Thought refugees from Chicago, so you know that everyone there spends their time pondering Big Ideas. (Disclosure: I spent a year in Chicago doing an MA loosely associated with the Social Thought gang, and while it ultimately wasn’t for me, I am a sucker for this stuff. When someone starts talking about ideas of virtue in Rousseau, Nietzsche, and Weber, I pee my pants a little.)

I’m also fascinated by the idea of swapping “departments” for “norms, claims, and ideals.” It’s just enough of an isomorphism that you can still see it as a specification, but just differentiated enough that you can give it a completely different interpretation.

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Against Friction
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John Gruber on reducing friction between thought and expression:

Friction is a problem for software in general, not just programming languages specifically. There

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Liberal Arts In Translation
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Colleges abroad are porting the American liberal arts college, but even the branches opened by American universities are a little bit different:

Arguably the most ambitious attempt at a branch campus yet is underway in the United Arab Emirates. While there are also plans for graduate programs, NYU Abu Dhabi is to be, over time,

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The Late Shift
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This essay by Ben Mathis-Lilley on why Conan O’Brien, haters aside, will kill as the new host of The Tonight Show, is merely probably true. However, this collective autobiography of O’Brien fans is right on the money:

Even Conan’s biggest fans are worried that he’ll fail or, worse, dumb down his act in an attempt to imitate Leno’s lucrative inanity. In this scenario, success is a more horrifying possibility than failure. I know about that last part because I’m one of those fans, a member of the demographic most likely to view Conan with love and affection: people who reached late-night-TV-watching age at around the same time Conan’s show started getting good, around 1995 or so. If you’re like me, you started watching Conan regularly at around age 13 or 14, and continued as a highly regular viewer for the next eight or nine years, your loyal fandom enabled by the fact that, as a teenager and then a college student, you had no problem staying up until 12:40 every night. (Fortunately, my turn toward marginally more responsible sleep/lifestyle choices has coincided with the rise of DVR.)

In fact, this observation is so good, I can’t believe BML doesn’t capitalize on it. This is why Conan will kill at 11:30 — because his fan base isn’t in their teens any more. We’re in our thirties, close enough, or older. We don’t even like to stay up that late, we’ve got to TiVo the damn show. And Jay Leno’s fans don’t want to stay up past eleven. The show will be a success not because Conan’s “matured” but because We Are Old.

I started seriously watching Conan in my freshman year of college; as a kid, I used to sneak downstairs to watch Johnny Carson. The Tonight Show w/ Johnny offered adulthood at its most enigmatic and alluring; with Jay, it seemed phony, bloated, contrived — above all, to be avoided. Hence, cartoons and Conan.

We’re the people who watch The Tonight Show now. Does it feel too soon?

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We're Those Two Guys
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So many gems in Roger Ebert’s remembrance of his relationship with Gene Siskel. Here’s one:

He got his second job, as the movie critic of the CBS Chicago news, because the newscast was bring reformatted to resemble a newspaper city room. Van Gordon Sauter, the executive producer, recruited Gene on the theory, “Don’t hire someone because they look good on TV; hire them because they cover a beat and are the masters of it.” Gene speculated that was the reason for the success of our show: We didn’t look great on TV, but we sounded as if we might know what we were talking about.

The rest you should find for yourself.

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The Book Is Better
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Willing Davidson, “Great Book, Bad Movie: How Hollywood Ruins Novels”:

This isn’t an original complaint: Liking the book better than the movie is a middlebrow rite of passage. And novels are a constant, renewable source of stories for Hollywood, with ready-built brand appeal

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Medicine For Melancholy
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It’s not playing in Philadelphia, and I don’t have cable/IFC, alas — but Medicine for Melancholy looks terrific.

(See also A.O. Scott and Dennis Lim in the NYT.)

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A Bowling Ball In A Lane Of Pins
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I really like this Jonathan Abrams article on LeBron James. It’s not about anything off-court. It’s not about his relationships with his teammates, coaches, or management. It’s not about a particular game or set of games. It’s not even really about him, except in a refreshingly limited way.

Instead, it’s a well-researched article featuring multiple interviews (mostly with James’s opponents) about a single aspect of his game — his unique and nearly unstoppable ability to drive to the basket.

Read more…

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House Party At The Drop Of A Hat
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The Beastie Boys’ Paul’s Boutique, twenty years later:

Paul’s Boutique is a landmark in the art of sampling, a reinvention of a group that looked like it was heading for a gimmicky, early dead-end, and a harbinger of the pop-culture obsessions and referential touchstones that would come to define the ensuing decades’ postmodern identity as sure as “The Simpsons” and Quentin Tarantino did. It’s an album so packed with lyrical and musical asides, namedrops, and quotations that you could lose an entire day going through its Wikipedia page and looking up all the references; “The Sounds of Science” alone redirects you to the entries for Cheech Wizard, Shea Stadium, condoms, Robotron: 2084, Galileo, and Jesus Christ. That density, sprawl, and information-overload structure was one of the reasons some fans were reluctant to climb on board. But by extending Steinski’s rapid-fire sound-bite hip-hop aesthetic over the course of an entire album, the Beastie Boys and the Dust Brothers more than assured that a generally positive first impression would eventually lead to a listener’s dedicated, zealous headlong dive into the record’s endlessly-quotable deep end.

With no other album did I spend as much time transcribing and deciphering lyrics, beats, ideas — staring at the radio, staying up all night.

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TypeBound
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Craig Saper is an amazing guy. When he couldn’t get travel funds to deliver a paper on Bob Brown’s “Readies” at a panel I chaired at the Modernist Studies Association conference a few years ago, he sent a DVD of himself, reading his paper from an airplane seat, wearing sunglasses. Midway through, the video began speeding up and slowing down, and the audio track was punctured by bleeps, like a badly edited R-rated movie on TV. It was all part of the performance, on reading technologies and obscenity. I wish I still had a copy of it.

Goldsmith.jpg

— Kenny Goldsmith, “Littany (for Albie)”

Well, Craig’s curated (with Theo Lotz) an exhibition at the University of Central Florida called TypeBound, on books-as-sculpture. Warning: the web site is actually kind of crummy, animated image files and links that download PDFs instead of going to pages. But the exhibits! Amazing stuff: books made of shoes, books with type written on the edges of pages, books with pages going in every direction, and a slew of typewriter poetry. Well worth checking out.

Read more…

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