stewart brand
Brandophilia
I just cannot get enough Steward Brand. For instance, I love this frank assessment of fame—the right kind of fame—from a new Chronicle profile:
“There’s almost no downside to being well-known for a long time,” Brand says. “Nobody is going to steal my identity. Old friends lead to new friends and one recycles people into new functions over time.”
And this, too:
[Brand’s wife Ryan] Phelen tells the story of Brand’s 70th birthday last December. What kind of gift do you get a man who hates big parties and gets the latest gadget before everyone else? Phelen set up a Web site and filled it with passionate discussions from his closest friends. “I gave him words. Words and thoughtful conversation,” she says.
I’m reading Whole Earth Discipline in bits and pieces. It’s a funny book—a more direct descendant of the Whole Earth Catalog than I’d realized. It doesn’t seem to be in any particular order, and doesn’t seem to make any single grand argument. Rather, it’s just this sequence of loosely-connected idea-chunks, each marked with a gray bullet point, all fascinating. Like non-fiction David Markson!
Finally, I love Brand’s concise self-definition:
What do I usually do? I find things and I found things. Things I find include tools, ideas, books, and people, which I blend and purvey. Things I’ve founded and co-founded include…
(Insert list of epochal institutions and zeitgeist definers here.)
Machine with concrete
I’ve heard this piece, created by Arthur Ganson, described several times—and every single time it makes my head spin:
He showed a video of “Machine with Concrete.” On the left an electric motor drives a worm gear at 212 revolutions a minute. A sequence of twelve 50-to-1 gear reductions slows the rotation so far that the last gear, on the right, is set in concrete. It would take over two trillion years for that gear to rotate. “Intense activity on one end, quiet stillness on the other,” Ganson said. “It’s a duality I feel in my own being.”
Also, here’s a smile-bringer. The setting is the latest Long Now lecture, and…
During the Q&A, Alexander Rose asked the full-house audience how many of them of were makers of things. Ninety percent raised their hands in joy.
