psychology

Snark by Snarkwest: The Psychology and Interfaces of Social Design

 

Rethinking the self

I’ve seen several bloggers link, approvingly, to some of David Brooks’ recent columns on psychology and neuroscience, and I’ll join them. I think this conversation couldn’t be more fascinating, mostly because it’s a new one. This isn’t just a nice scientific tux to dress up old (“eternal”) ideas; some of these new notions about how the brain works (or, often, how it doesn’t work) are truly new.

And some of them are truly challenging. What if consciousness isn’t the pilot but rather the spin doctor, coming up with stories to explain your actions only after other, subtler faculties have already committed you to them? Consciousness as giant retcon.

What if there’s not one Robin—expressed in lots of interesting ways, of course—but instead a whole committee, always arguing over whether to actually write something or just post a snazzy image? As Paul Bloom puts it, by way of Brooks, maybe our many selves “are continually popping in and out of existence. They have different desires, and they fight for control—bargaining with, deceiving, and plotting against one another.”

I always think of that claim—who made it? Howard Bloom?—that Shakespeare literally invented modern Western consciousness. The revolution that was Shakespeare’s characterization provided a template that was so seductive, so viral, that it ultimately—after influencing and infecting lots of other writers—became one of the very foundations of our common sense about consciousness, identity, will, and everything else. (I’m probably mangling Bloom’s idea. Oh well: It’s my mangled version that I find so compelling.)

That’s totally magical, but it’s also totally arbitrary. So maybe it’s time for another sea change (Shakespeare!) in the way we think about ourselves. It doesn’t take much to make a big difference; these are the axioms we build our lives around, so if you change one just a little bit, the ripple effects are massive.

In any case, I’m glad a big-time columnist is bringing these ideas to center stage. I do wish there was a forum that was slightly more technical; I don’t want to read the journals, or even anything close to them, really, but I would like to go beyond the too-clean op-ed metaphors that Brooks is bound to by necessity.

 

The assumption that all doors are locked

This multi-faceted post on security—from physical to digital and back—by Tim Maly is terrific.

The practice of locking the front door baffles me. It seems to me that, if you lock your front door, you are saying you believe that, at some point, someone will come along and jiggle your door-knob. Someone will give it a try. And I just can’t believe that’s the case. I mean, what, do villains just cruise down the block, jiggling door-knobs in sequence? Of course they don’t!

Now, you could say no, that’s not it at all; instead, locking the front door is a ritual we all perform which provides a general assumption of front-door-locked-ness. Almost like vaccination. One person does it, it’s meaningless; everybody does it, it’s a big deal. And also like vaccination because, once everybody does it, you largely get the benefits even if you don’t!

Locking the front door as collective action. Hmm. I still don’t think it makes any sense. I still do it.

 

The skeins of its own legend

Like many of you, I consider myself an unofficial research assistant for Robin’s forthcoming detective story. In that vein I submit Sara Corbett’s totally true, undefinably cool NYT magazine story about the production, preservation, and immanent publication of Carl Jung’s mythical The Red Book, which sounds like something right out of Penumbra’s bookshop.

I’m just going to post part of Corbett’s overture, because I like it so much:

Some people feel that nobody should read the book, and some feel that everybody should read it. The truth is, nobody really knows. Most of what has been said about the book — what it is, what it means — is the product of guesswork, because from the time it was begun in 1914 in a smallish town in Switzerland, it seems that only about two dozen people have managed to read or even have much of a look at it.

Of those who did see it, at least one person, an educated Englishwoman who was allowed to read some of the book in the 1920s, thought it held infinite wisdom — “There are people in my country who would read it from cover to cover without stopping to breathe scarcely,” she wrote — while another, a well-known literary type who glimpsed it shortly after, deemed it both fascinating and worrisome, concluding that it was the work of a psychotic.

So for the better part of the past century, despite the fact that it is thought to be the pivotal work of one of the era’s great thinkers, the book has existed mostly just as a rumor, cosseted behind the skeins of its own legend — revered and puzzled over only from a great distance.

Which is why one rainy November night in 2007, I boarded a flight in Boston and rode the clouds until I woke up in Zurich, pulling up to the airport gate at about the same hour that the main branch of the United Bank of Switzerland, located on the city’s swanky Banhofstrasse, across from Tommy Hilfiger and close to Cartier, was opening its doors for the day. A change was under way: the book, which had spent the past 23 years locked inside a safe deposit box in one of the bank’s underground vaults, was just then being wrapped in black cloth and loaded into a discreet-looking padded suitcase on wheels. It was then rolled past the guards, out into the sunlight and clear, cold air, where it was loaded into a waiting car and whisked away.

Come on. You have to read the rest now. Dan Brown’s crap-ass Freemasons have nothing on this.