The murmur of the snarkmatrix…

Jay H § Matching cuts / 2014-10-02 02:41:13
Greg Linch § Matching cuts / 2014-09-16 18:18:15
Inque § Matching cuts / 2014-09-05 13:27:23
Gavin Craig § Matching cuts / 2014-08-31 16:33:56
Tim Maly § Sooo / 2014-08-27 01:35:19
Matt § Sooo / 2014-08-25 02:10:30
Tim § Sooo / 2014-08-25 00:49:38
Robin § Sooo / 2014-08-21 20:47:35
Doug § Sooo / 2014-08-21 20:40:50
Tim § Sooo / 2014-08-21 18:23:13

Prince Achmed BYO Remix
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I’ve got one! But you’re going to have to be quick.

Right now, press play on the soundtrack here:

While that’s playing, drag the sound down to zero on this clip—from Prince Achmed, made (impossibly) in 1927 and thought to be the first one of the first animated films:

Hit play on the Prince Achmed clip when the music hits 0:22.

Matt: best genre ever.

Prince Achmed via the always-great Jillian Tamaki.

Update: Lots more on Lotte Reiniger, the director of Prince Achmed, here and here, thanks to Britta. You must click those links, scroll down and look at the stills. They just sent me spinning into a beauty-induced fugue state; I think I saved every single one into my Dropbox.

8 comments

Three men, three melodies
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Ah. I have to admit: these old TV news clips from the fall of the Berlin Wall made me feel nostalgic. Not for the event, which I can’t really remember. Mostly for the music, I think. The anthems of the nightly news. We’ll never see the world this way again—never through such a narrow tube. That’s for the better… but that doesn’t mean we can’t appreciate the way these broadcasts felt, the way they sounded.

Hmm. Maybe more websites need theme songs…

Via Kottke.

4 comments

Pomplamoose rides again
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Pomplamoose is back with another production-as-performance video!

There are some crazy chords in this video. Prepare your brain.

5 comments

"Do Re Mi Fa So and so on are only the tools we use to build a song"
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I don’t think this Mary Poppins mashup is pitch-perfect. But I do think it’s wonderful:

From Video-Remixes.

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Making music without a mask
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This is, no question, my favorite new genre: the production-as-performance video. This is Pomplamoose’s Single Ladies cover, which is probably the paragon of the form so far:

Characteristics of the pro/per video:

☑ Normal duds, normal environment. No spandex, no fog machine.

☑ Gear. Lots of it.

☑ Subdivision of the video frame: overlapping tracks visualized as overlapping views.

☑ Performance! This isn’t just a hidden camera in the studio. It’s natural, it’s unpretentious—but it’s still a performance.

(In some ways, this newer Pomplamoose video is an even better example of the pro/per form, but the music is not as perfectly ear-tickling, so stick with Single Ladies.)

What I love about the approach is that it’s showing us a complicated, virtuoso performance, but making it really clear and accessible at the same time. It’s entertaining, but it’s also an exercise in demystification—which of course is exactly the opposite objective of every music video, ever. Their purpose has been to mystify, to masquerade, to mythologize in real-time.

Even live performance videos mystify in their own way: “Jeez, how did they get so good?” What I appreciate about the pro/per, at least in Pomplamoose’s hands, is that it acknowledges: Yes, to make music, you need a lot of tools, and you need a lot of tries. And I really like (maybe even need) the notion that things can be assembled. They can be built from parts, improved piece-by-piece. You don’t have to do it right the first time through. That’s what Pomplamoose seems to be saying, and showing.

I know I’ve seen some other videos in this genre, but I can’t dig any of them up… and, ha ha, searching for “production as performance” on YouTube doesn’t get you anywhere. Can you think of any?

27 comments

Twice
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Glen Hansard and Markéta Irglová—the couple first fictional then real-life from the movie Once—are making new music as the Swell Season.

Listen ’til 2:05 at least. I can’t believe it’s not mixed. Markéta Irglová just sort of sneaks in—fades in—in the subtlest, sweetest way. A small thing, but a very good small thing.

(Via Maya Baratz.)

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Dream busker
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This has been on YouTube for months now, but it’s new to me: a beat-boxer sets up shop near an NYC subway exit and offers “free beats” to passerby. The range of responses is pretty excellent.

Here’s my favorite line. “Where my dogs at? Where my frogs at? Where my squirrels and my birds and my hogs at?”

This goes in the direction of my dream busker: somebody set up with an amp, a laptop and Ableton Live, sampling and remixing the sounds of a street-corner in real-time. Totally melodic and musical; it wouldn’t be an abstract experiment. You’d just hear familiar honks and wails in the mix. And obviously—per this video—she’d have a mic stand for speaking and singing, too.

One comment

A morning filled with four-hundred billion suns
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This is so well done. Cosmos gets autotuned, via Hilobrow:

Don’t miss Stephen Hawking’s verse!

See also: Stephen Hawking’s previous appearance on Snarkmarket.

2 comments

I support the rock-star-ification of designers
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Chip Kidd has a band! Here’s the video for their single, called Asymmetrical Girl. I think it’s pretty awesomely sincere, and the song’s got a good hook, and there’s lots of typography. I want more!

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BYO Remix
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1. Start this Delrious time-lapse video of clouds in San Francisco, then immediately pause it to let it buffer and lower the volume to mute. (Nothing against His Boy Elroy, who provides the original score. I actually used that music in a movie of my own once.)

2. Press play on this song from Jason Kanakis and His Coalition of the Unwilling.

3. Start the Delrious video. Full-screen it, if you swing that way.

Two great tastes that taste great together. Delrious discovered via Towleroad and Kanakis via Aurgasm.

3 comments