internet
Constellation: The Internet ≅ Islam
I’ve reading semi-extensively (i.e., as much as I can without breaking down and buying any more books) about the history of Islam. I’m partly motivated by a desire to better understand its philosophy and manuscript traditions, partly for a half-dozen other reasons too complicated to explain, but mostly just from long-standing interest. A few of my Kottke posts came out of this, as Robin pointed out.
So the best article I’ve come across in a while that touches on all of these things is “What is the Koran?” which appeared in The Atlantic back in 1999. It’s an examination of scholarly debates over the historicity of the Koran, and the propriety of Western scholars applying empirical/rationalist techniques to a holy text (especially when, historically-speaking, Orientalism of this kind hasn’t been motivated by knowledge for knowledge’s sake), plus clampdowns on Muslim writers who’ve brought the traditional history into question.
(Brief summary: Mohammed didn’t write, but received revelations from God, which he recited and others memorized and/or wrote down. A while later, just as with Christianity, a council produced an officially sanctioned text, knocking out variant copies and apocryphal texts, some of which were… extremely interesting. So, let’s imagine the Gnostic Gospels coming out in a country ruled by fundamentalists.)
Anyways, part of the problem these scholars are struggling with is just how FAST Islam grew from outsider rebels to ruling establishment:
Not surprisingly, given the explosive expansion of early Islam and the passage of time between the religion’s birth and the first systematic documenting of its history, Muhammad’s world and the worlds of the historians who subsequently wrote about him were dramatically different. During Islam’s first century alone a provincial band of pagan desert tribesmen became the guardians of a vast international empire of institutional monotheism that teemed with unprecedented literary and scientific activity. Many contemporary historians argue that one cannot expect Islam’s stories about its own origins—particularly given the oral tradition of the early centuries—to have survived this tremendous social transformation intact. Nor can one expect a Muslim historian writing in ninth– or tenth-century Iraq to have discarded his social and intellectual background (and theological convictions) in order accurately to describe a deeply unfamiliar seventh-century Arabian context. R. Stephen Humphreys, writing in Islamic History: A Framework for Inquiry (1988), concisely summed up the issue that historians confront in studying early Islam.
If our goal is to comprehend the way in which Muslims of the late 2nd/8th and 3rd/9th centuries [Islamic calendar / Christian calendar] understood the origins of their society, then we are very well off indeed. But if our aim is to find out “what really happened,” in terms of reliably documented answers to modern questions about the earliest decades of Islamic society, then we are in trouble.
But one of the things that happened during this period is that Islam went from wild, oral, incomprehensible traditions to scholarly/poetic/cultural flowering to clamped-down authoritarian fundamentalism:
As Muslims increasingly came into contact with Christians during the eighth century, the wars of conquest were accompanied by theological polemics, in which Christians and others latched on to the confusing literary state of the Koran as proof of its human origins. Muslim scholars themselves were fastidiously cataloguing the problematic aspects of the Koran—unfamiliar vocabulary, seeming omissions of text, grammatical incongruities, deviant readings, and so on. A major theological debate in fact arose within Islam in the late eighth century, pitting those who believed in the Koran as the “uncreated” and eternal Word of God against those who believed in it as created in time, like anything that isn’t God himself. Under the Caliph al-Ma’mun (813–833) this latter view briefly became orthodox doctrine. It was supported by several schools of thought, including an influential one known as Mu’tazilism, that developed a complex theology based partly on a metaphorical rather than simply literal understanding of the Koran.
By the end of the tenth century the influence of the Mu’tazili school had waned, for complicated political reasons, and the official doctrine had become that of i’jaz, or the “inimitability” of the Koran. (As a result, the Koran has traditionally not been translated by Muslims for non-Arabic-speaking Muslims. Instead it is read and recited in the original by Muslims worldwide, the majority of whom do not speak Arabic. The translations that do exist are considered to be nothing more than scriptural aids and paraphrases.) The adoption of the doctrine of inimitability was a major turning point in Islamic history, and from the tenth century to this day the mainstream Muslim understanding of the Koran as the literal and uncreated Word of God has remained constant.
Okay. Now let’s read The Economist, “The future of the internet: A virtual counter-revolution”:
THE first internet boom, a decade and a half ago, resembled a religious movement. Omnipresent cyber-gurus, often framed by colourful PowerPoint presentations reminiscent of stained glass, prophesied a digital paradise in which not only would commerce be frictionless and growth exponential, but democracy would be direct and the nation-state would no longer exist…
Fifteen years after its first manifestation as a global, unifying network, it has entered its second phase: it appears to be balkanising, torn apart by three separate, but related forces.… It is still too early to say that the internet has fragmented into “internets”, but there is a danger that it may splinter along geographical and commercial boundaries… To grasp why the internet might unravel, it is necessary to understand how, in the words of Mr Werbach, “it pulled itself together” in the first place. Even today, this seems like something of a miracle…
One reason may be that the rapid rise of the internet, originally an obscure academic network funded by America’s Department of Defence, took everyone by surprise. “The internet was able to develop quietly and organically for years before it became widely known,” writes Jonathan Zittrain, a professor at Harvard University, in his 2008 book, “The Future of the Internet—And How To Stop It”. In other words, had telecoms firms, for instance, suspected how big it would become, they might have tried earlier to change its rules.
Maybe this is a much more common pattern than we might realize; things start out radical and unpredictable, resolve into a productive, self-generating force, then stagnate and become fixed or die. Boil it down, and it sounds fairly typical. That how stars work, that’s how cities work, maybe that’s just how life works.
But in both articles, Islam and the Internet are presented as outliers. Judaism and Christianity didn’t grow as fast as Islam did, and their textual tradition produces similar problems, but don’t appear to be as sharp. Likewise, information networks like railroads, the telegraph, and telephone are presented as normally-developing; the internet is weird. Either this pattern is more common than we think it is, or it isn’t. Either way, it’s a meaningful congruence.
If that’s the case — if we can use the history of Islam to think about the internet, and vice versa, then what are the lessons? What are the porential consequences? What interventions, if necessary, are possible? (We have to confront the possibility in both cases that any intervention might be ruinous.)
On the internet
Go read Andrew Fitzgerald’s new collectively-directed short story. It is weird and wild—and Snarkmarket is threaded through it.
Random sample (the beautiful thing is that you can select almost any two grafs of Andrew’s story for this purpose):
In the popular children’s online role-playing game “Fur City”, a digital avatar named Mr. Tumbles, controlled by a 17-year-old Japanese girl in Osaka is pacing the cobblestone streets. He remembers it’s Tuesday and how much he loved last Tuesday. It was cupcake day at the Sugar Plum Bakery, and although Mr. Tumbles, the local calico kitten, was no fan of strawberry shortcake wrapped in ribbons and bows, he couldn’t deny that the rabbit-run bakery was paws and whiskers above any other establishment in Fur City. Today at the Sugar Plum Bakery it’s not cupcake day. The rabbits told him it was pancake day. But he knows it’s Tuesday. Something’s fishy in Fur City.
Something’s fishy on the whole Internet.
This is more than a big in-joke, though; the way it all wraps up is sincere and more than a little wonderful.
Show me the internet
In a fit of curation and ingenuity, Noah Brier whips up a gallery of visualizations of the internet. And no, it wouldn’t be complete without The Net, circa 1995. Wow.
Noah points to this piece over at The Baffler which poses the same question—what does the internet look like?—and ends with this bit of disenchantment:
The problem isn’t really that we don’t know what the Internet looks like. It’s that what it looks like is so horribly ugly: not a glistening Tootsie Roll pop, not an open freeway, not a shimmering clear pool of chlorinated water nor a siren-littered sea, not even a chiseled movie star, but giant, hulking factories dotting the landscape of the Pacific Northwest and the Eastern Seaboard, covering old landfills, sprawling, like dozens of Costcos smashed together, stacked with metal and diesel generators and powerful cooling systems, crossed by power lines that deliver 2 percent of the world’s energy to the so-called cloud, where your tax returns and credit card statements cross paths with Medicare files and corporate budgets and your old love letters and the photos of Jennifer Aniston’s newest boyfriend.
So, I totally disagree.
I think the internet is the screens. Without the screens, who cares? Without the screens, it’s just a bunch of derivative-trading-bots talking to each other. The screens make it interesting—they’re the magic portals, the magic mirrors. My visualization of the internet ignores the server-farms and the network spaghetti. Instead it’s a mosaic of all those screens, some on phones and some on laps and some on walls, but more and more of them over time, all getting bigger and brighter.
Yeah, actually, I think my internet might be the Transparent City.
On-demand personas and the pentagigatweet
In a way, posting the message numbered five billion on Twitter was actually very similar to producing EPIC 2014 with Matt. In both cases, we got very serious people to say a very silly word. First it was Googlezon, and now it’s… pentagigatweet. Make no mistake: This is a triumph.
But all of the news articles (I know, right?) missed the real resonance of the pentagigatweet. Let me walk you through the exchange.
First, @rodnaber says: Loving @brizzly. Now someone invent something to make follow notifications less spammy than myspace friend requests and we’ll be all set.
I replied: @rodnaber WHY WON’T YOU FOLLOW ME BACK I AM NOT A SPAMMER. I can’t help it that my profile pic is so gorgeous… Signed, @sexysloan9912e
(And I have to admit, I thought that was pretty funny.)
So already, we’ve set up a satirical dialectic about identity and authenticity on Twitter. But then, OF COURSE, in a flash, someone sets up a @sexysloan9912e account.
Our on-demand, single-use friend jokes: anyone want to “kickstart” my photographic career?
To which I reply: Oh lord.
And that was 5,000,000,000.
So you see, this was pure poetry. The pentagigatweet—a tiny symbol of the scale and arbitrariness of the moment we’re in—was itself the culmination of a thread of commentary about the malleability and absurdity of identity in the age of Twitter!
I don’t know if you can tell whether or not I’m being sarcastic… and the truth is, I’m not sure myself. I am, however, authentically gleeful that the word “pentagigatweet” was included in real news articles, and that the pentagigatweet was part of such an odd little exchange.
Find it on the internet shelf
This CNN.com article on “internet novels” in China is tantalizing. It’s an interesting story, but this treatment is too shallow—it reads like gee-golly dot-com coverage circa 2000.
It’s about the rise of young writers who build huge audiences on bulletin boards:
Today [Murong Xuecun] is considered one of the most famous authors to have emerged in contemporary China. His debut work, “Leave Me Alone: A novel of Chengdu,” has been read by millions of Chinese “netizens” […] and adapted for film and television and translated into German, French and English.
He also is viewed as a pioneer of what has become nothing short of a literary renaissance online in the country, particularly among young Chinese writers. This is a constituency that has struggled to find a platform for their work in a publishing industry that is viewed as conservative as it often faces state censorship. Instead of remaining silent, a new generation of authors has found its voice on the Web.
Mostly I like the idea of the “internet novel” as a genre:
Bookstores now have sections devoted to Internet novels published as paperbacks […]
And mostly mostly I am just fascinated with the culture of reading and writing in China. I want to know more, more, more. Where’s James Fallows when you need him?
Via Novelr.
