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	<title>Comments on: The novelist’s design</title>
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	<link>http://snarkmarket.com/2011/7419</link>
	<description>The stomping grounds of Tim Carmody, Robin Sloan and Matt Thompson. It&#039;s a long-running conversation about media, journalism, technology, cities, culture, design, books, music, movies, the future and the past.</description>
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		<title>By: Robin Sloan</title>
		<link>http://snarkmarket.com/2011/7419/comment-page-1#comment-44363</link>
		<dc:creator>Robin Sloan</dc:creator>
		<pubDate>Wed, 28 Sep 2011 20:55:14 +0000</pubDate>
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		<description>You and your Wilkie Collins!</description>
		<content:encoded><![CDATA[<p>You and your Wilkie Collins!</p>
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		<title>By: Will P.</title>
		<link>http://snarkmarket.com/2011/7419/comment-page-1#comment-44357</link>
		<dc:creator>Will P.</dc:creator>
		<pubDate>Wed, 28 Sep 2011 19:59:35 +0000</pubDate>
		<guid isPermaLink="false">http://snarkmarket.com/?p=7419#comment-44357</guid>
		<description>Funny, considering that Second Life is partly inspired by Stephenson&#039;s &quot;Snow Crash.&quot; On a side note, living in Spain now, we can&#039;t get enough of the Kindle. It feels especially weird to be reading Wilkie Collins on it (&quot;No Name,&quot; starts slow but then gets just as good as &quot;The Moonstone&quot; and &quot;The Woman In White&quot;), but then again it is a very Victorian device in some ways.</description>
		<content:encoded><![CDATA[<p>Funny, considering that Second Life is partly inspired by Stephenson’s “Snow Crash.” On a side note, living in Spain now, we can’t get enough of the Kindle. It feels especially weird to be reading Wilkie Collins on it (“No Name,” starts slow but then gets just as good as “The Moonstone” and “The Woman In White”), but then again it is a very Victorian device in some ways.</p>
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		<title>By: Sharat B.</title>
		<link>http://snarkmarket.com/2011/7419/comment-page-1#comment-44356</link>
		<dc:creator>Sharat B.</dc:creator>
		<pubDate>Wed, 28 Sep 2011 19:20:50 +0000</pubDate>
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		<description>To back your assertion up, I&#039;d point to the Smithsonian Magazine blogs picking up Paleofuture. I only started paging back through the archives yesterday, but it looks like a wonderful study of retrofuturism. The Smithsonian certainly seems to care about how good our fiction was at predicting futures, or at least what we can learn from the assumptions underlying those predictions.

http://blogs.smithsonianmag.com/paleofuture/</description>
		<content:encoded><![CDATA[<p>To back your assertion up, I’d point to the Smithsonian Magazine blogs picking up Paleofuture. I only started paging back through the archives yesterday, but it looks like a wonderful study of retrofuturism. The Smithsonian certainly seems to care about how good our fiction was at predicting futures, or at least what we can learn from the assumptions underlying those predictions.</p>
<p><a href="http://blogs.smithsonianmag.com/paleofuture/" rel="nofollow">http://blogs.smithsonianmag.com/paleofuture/</a></p>
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		<title>By: Robin Sloan</title>
		<link>http://snarkmarket.com/2011/7419/comment-page-1#comment-44355</link>
		<dc:creator>Robin Sloan</dc:creator>
		<pubDate>Wed, 28 Sep 2011 19:17:11 +0000</pubDate>
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		<description>Ha hahaha. WELCOME TO THE FUTURE!</description>
		<content:encoded><![CDATA[<p>Ha hahaha. WELCOME TO THE FUTURE!</p>
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	<item>
		<title>By: সহেলী</title>
		<link>http://snarkmarket.com/2011/7419/comment-page-1#comment-44354</link>
		<dc:creator>সহেলী</dc:creator>
		<pubDate>Wed, 28 Sep 2011 19:15:37 +0000</pubDate>
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		<description>I was going to leave some sort of banal comment about Jules Verne and other inspirational but then I was totally discombobulated by the fact that the Snarkmatrix somehow automatically respelled my name in Bangla. Well played, Sloan, well played.</description>
		<content:encoded><![CDATA[<p>I was going to leave some sort of banal comment about Jules Verne and other inspirational but then I was totally discombobulated by the fact that the Snarkmatrix somehow automatically respelled my name in Bangla. Well played, Sloan, well played.</p>
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