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	<title>Comments on: I got you stuck off the realness</title>
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	<description>The stomping grounds of Tim Carmody, Robin Sloan and Matt Thompson. It&#039;s a long-running conversation about media, journalism, technology, cities, culture, design, books, music, movies, the future and the past.</description>
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		<title>By: Nick Paloukos</title>
		<link>http://snarkmarket.com/2010/6075/comment-page-1#comment-13005</link>
		<dc:creator>Nick Paloukos</dc:creator>
		<pubDate>Thu, 19 Aug 2010 03:59:18 +0000</pubDate>
		<guid isPermaLink="false">http://snarkmarket.com/?p=6075#comment-13005</guid>
		<description>Very nice.  There&#039;s something magical about great music that seemingly ends too soon.  The brevity leaves you wanting more but also ironically satisfies. Outkast&#039;s Myintrotoletyouknow and Da Art of Storytelling pt. 2 are two other songs I place in that category.</description>
		<content:encoded><![CDATA[<p>Very nice.  There’s something magical about great music that seemingly ends too soon.  The brevity leaves you wanting more but also ironically satisfies. Outkast’s Myintrotoletyouknow and Da Art of Storytelling pt. 2 are two other songs I place in that category.</p>
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		<title>By: Matt Thompson</title>
		<link>http://snarkmarket.com/2010/6075/comment-page-1#comment-12987</link>
		<dc:creator>Matt Thompson</dc:creator>
		<pubDate>Wed, 18 Aug 2010 13:33:52 +0000</pubDate>
		<guid isPermaLink="false">http://snarkmarket.com/?p=6075#comment-12987</guid>
		<description>Nick, I almost included that Quincy Jones sample, but I couldn&#039;t quite make it fit with the post. It really is FANTASTIC, though. Everyone else, listen, this is the best piece of music on this page:

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		<content:encoded><![CDATA[<p>Nick, I almost included that Quincy Jones sample, but I couldn’t quite make it fit with the post. It really is FANTASTIC, though. Everyone else, listen, this is the best piece of music on this page:</p>
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		<title>By: Tim Carmody</title>
		<link>http://snarkmarket.com/2010/6075/comment-page-1#comment-12981</link>
		<dc:creator>Tim Carmody</dc:creator>
		<pubDate>Wed, 18 Aug 2010 11:21:29 +0000</pubDate>
		<guid isPermaLink="false">http://snarkmarket.com/?p=6075#comment-12981</guid>
		<description>For all of Sasha Frere-Jones&#039;s critical crimes at The New Yorker, &lt;a href=&quot;http://www.newyorker.com/archive/2006/04/03/060403crmu_music&quot; rel=&quot;nofollow&quot;&gt;his profile of Mariah Carey&lt;/a&gt; (and insistence on her rightful role as historically-significant pop auteur) remains without peer.</description>
		<content:encoded><![CDATA[<p>For all of Sasha Frere-Jones’s critical crimes at The New Yorker, <a href="http://www.newyorker.com/archive/2006/04/03/060403crmu_music" rel="nofollow">his profile of Mariah Carey</a> (and insistence on her rightful role as historically-significant pop auteur) remains without peer.</p>
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		<title>By: Nick Paloukos</title>
		<link>http://snarkmarket.com/2010/6075/comment-page-1#comment-12978</link>
		<dc:creator>Nick Paloukos</dc:creator>
		<pubDate>Wed, 18 Aug 2010 07:01:06 +0000</pubDate>
		<guid isPermaLink="false">http://snarkmarket.com/?p=6075#comment-12978</guid>
		<description>I just started following Snarkmarket recently (through Tim&#039;s stint at Kottke) and I&#039;m  beyond impressed with the breadth and depth of its posts.

I&#039;ve never been a big Mariah fan, but Shook Ones Pt. 2 has long been my favorite hip hop beat and one of my favorite songs of all time.   The haunting piano is only equaled by the eerie sample -which I can&#039;t describe- lightly lifted from Quincy Jones&#039; -  Kitty with the bent Frame.  Add the incredible lyrics -arguably Mobb Deep&#039;s best- and you have the instant classic it was.

Mariah does the sample justice.  Thanks for the rec.</description>
		<content:encoded><![CDATA[<p>I just started following Snarkmarket recently (through Tim’s stint at Kottke) and I’m  beyond impressed with the breadth and depth of its posts.</p>
<p>I’ve never been a big Mariah fan, but Shook Ones Pt. 2 has long been my favorite hip hop beat and one of my favorite songs of all time.   The haunting piano is only equaled by the eerie sample –which I can’t describe– lightly lifted from Quincy Jones’ —  Kitty with the bent Frame.  Add the incredible lyrics –arguably Mobb Deep’s best– and you have the instant classic it was.</p>
<p>Mariah does the sample justice.  Thanks for the rec.</p>
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